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(Russell, Owens)
You’re like a rat in a cage in the middle of a breakdown
Hack-rage, living off cold takeout
What you gonna do when they come for you?
What you gonna do when the plan falls through?
Through with your home and you’re through with your lover
Left alone to fantasise about your mother now
What you gonna do when they come for you?
What you gonna do when the plan falls through?
You’re like Iraq in the back of the holiday season
“Somebody invaded – anybody see ‘em?”
What you gonna do when they come for you?
What you gonna do when the plan falls through?
We keep the beat alive
We ...
(Russell, Owens, Lyons)
Little sister walking by, with a look in her eye,
“Come on”, she’s saying.
“I’m going out with all my friends tonight,
See we’ve got drinks to buy and parties to attend,”
“Oh, today I got a man from SA
He’s got a lot to learn and I’ve got plenty to say”
So come on (come on), come on (come on)
She wanna stop in The Sun, smile at everybody,
Emily, I’m sorry,
We’re just fooling around (just fooling around)
Emily, I’m sorry
We’re just fooling around (just fooling around)
”Four more hours of work today, then it’s time to play,
I’ve got all my things,
And I love the conversation-stop
When they ...
(Russell, Owens)
If you're ever gonna run my boy
I'm afraid you're heading for a wall
And I'd hate to see you fall
I think you'd better step outside
One day you might hear a deeper call
But you don't care at all
You're never gonna swim that ocean clearer
You're never gonna be that boy again
You're never gonna fly unless you leave her
Or something's gonna give inside your head
You're never gonna run
You're never gonna run
I hear you say "It's not my fault"
You play the game but you don't know the rules
Afraid you're gonna lose
As seven easy years have shown
We can give you everything you need
But it won't ...
(Russell, Owens, Lyons)
My father worked every hour
My timing was good
Fought enemies we believed in
For honour we stood
With sentiment, I grow older
I'm watching things change
These settlement walls are burning
Fear bellows the flames
For another second we remain
Halt the fire with steady, ashen rain
Raise us up and bring us home again
The dawn is falling, the dawn is falling
Take me home
Take me home
Take me home (I hear England)
Take me home (I hear England)
Take me home
It's hidden in every heartbeat
It's written on every wall
We're sending a silent army
To fight for us all
Nail a call to battle on our door
Name the ground and what we're fighting for
Take ...
If you’re wondering why The Lightyears have been a little quiet for the last few weeks, here’s why - the band have been busy in the studio, recording new tracks with legendary producer Hugh Padgham.
Hugh Padgham is generally regarded as one of the most important producers in the history of popular music. He has worked with Paul McCartney, David Bowie, Kate Bush and Elton John but is perhaps most famous for his work with Sting, The Police, Genesis and Phil Collins. Hugh’s production skills were behind such classic hits as Sting’s Fields Of Gold, Every Breath You Take by The ...
(Russell, Owens)
You came to talk and to set things straight
I’d say you’ve come to the right place
We promised never to part
But here we are again
So just in case
You think I’m coming back… I’m not
You think I care for what you’ve got
There’s nothing left and I don’t care
I did not come to be made a fool
It’s such a shame to be so cruel
You said “Take care of my heart”
But here we are again
So just in case
Chorus
(Wob, Lyons)
Now the time is drawing to a close
The curtain, it twitches, as the stage hand holds onto the rope
This is the end
This is the end
The seats, threadbare and dusty, full for the last night
This is the end
This is the end
Tonight, all is forgotten
The battles lost and won
‘Cos tonight is the last night
And the final curtain call must be done
(Lyons)
She was a girl like no other
On my computer screen
She came from Surrey in the suburbs
But London was her scene
She worked in media and fashion
Lived in Highgate on the tube
And I just had to meet her
Sounded too good to be true
So after e-mailed faint attractions
Met in Chalk Farm for a drink
She wore the latest Hoxton fashions
Pretty trendy, but I think
That her clothes they do not suit her
And her business chat’s put on
But she’s the one I’m after
Affected girls just turn me on
She’s the one for me
She’s the one for me
We had to date in the right places
Primrose Hill, Point 101
She ...
(Russell, Owens)
Correction
All that you know, you no longer own
Lines on a hand, a face in the dark you’d recognise anyhow
And you follow the rope
When it’s all that you know
And you call all your friends
They ask the usual questions
But you’re miles away
With your heart in motion
And everything’s grey
What if you knew from the start
This shake of your heart
Would you have changed it so one day it made it easier?
And you follow the rope
Because it’s all that you know
And you call all your friends
And they ask a million questions
But you’re miles away
With your heart in motion
And everything’s grey
Don’t call today
Numb with explosion
Ripping ...
(Russell, Owens)
Jamie knows what's best for me.
I think I'll ask his advice, And he says 'I don't know her
Anymore than I knew you, and we're just fine, don't be afraid'.
Jamie gets us both a drink.
Says he can see right through her,
'She will break your heart you that,'
Maybe that's just how I am, I don't like it but it's me. Maybe.
No, something else is bothering me.
She's not the first mysterious girl
I've fallen for – is this the same?
There's a picture in my head -
Stop me if you've heard this -
Of all that I want you to be...
And Jamie knows she's not ...
Friday 22 June, 7am (Car Park, Glastonbury Festival, Somerset):
I wake up, reluctantly, and squint at my immediate surroundings. I am feeling really quite wretched. We have had less than two hours sleep on the back of a 14-hour day in the studio and a 3-hour drive to Somerset. And when I say “sleep”, I am using that word in its loosest sense. Three grown men squeezed into the back of an estate car with a couple of tents and a sizeable collection of instruments is not the kind of environment that promotes blissful slumber. Believe me.
Imagine, if you will, that upon waking ...
(Russell, Owens)
Dark night, driving home
I see silhouettes on the dash, in my eyes
And the lights in the rain come lashing
Singing just to me, the girl
Wonder what she’d make of all this…?
Sing out
The voice on the radio over again
And show me
The voice that I know, sing to me
Spotlight, riding on
seem to wait till I’m almost asleep at the wheel
And then call me back soundly
Laughing and shivering�
As I drive through
Cities and villages touched by you
Chorus
Thursday 21 June, 11.50pm (Hugh’s recording studio, West London):
We have spent the last week and a half in the studio recording an EP with our new producer, Hugh Padgham. In the past, Hugh has worked with Sting & The Police, Genesis, Paul McCartney, David Bowie and so on, and the various albums he has worked on over his career have sold over 250 million records and won him 4 Grammys. Which, I think we can all agree, ain’t half bad.
Hugh is currently producing 3 tracks for us - Emily, Sleepless and Don’t Want You. Today is the last day of ...
(Lyons)
I once met a girl from a Banana Republic
Who drove her Ford Capri with hanging dice to Dubrovnik
She flies in on the red-eye and she smuggles contraband
And she helps the pilot join the Mile-High Club before he lands
Banana Republic
Ba-Na-Na-Na-Na Republic
She parties in Ibiza, Magaluf, Biarritz and Spain,
I've never seen her sober - all she drinks is fine champagne
She says it is a cover for a mission she is on…
To find a greedy dot-com and then have it overthrown.
Chorus
The last time that I saw her was in South Afghanistan
She was firing a machine gun and it really turned me on.
She gave ...
(Russell, Owens)
You stay in shade when you step in the light
You’re like a Manga wannabe
Curl your lip like you’re picking a fight
I’m gonna make you so sorry
I’m gonna make you feel like a filmstar
I’m gonna make you feel
I never lied to a lover before
Don’t ever think you beat me
You look at me like a toreador
Flashing red eyes right through me
I’m gonna make you feel like a filmstar
I’m gonna make you feel
And now you claim that you’re moving away
You never really wanted me
You think it’s change that is keeping you sane
I’m gonna make you so sorry
I’m gonna make you feel like ...
(Russell, Owens)
They found another undercover on train today
He’s never ever coming back or so the papers say
Never, you’re never coming back, you’re never coming back
They’ve been evicted and collected over land and sea
We came to liberate and educate the refugees
Never, you’re never coming back, you’re never coming back
Nothing to give her but a river of dirty lies
We found an unofficial way to keep her mesmerised
Never, you’re never coming back, you’re never coming back
This band will play and play for
The people that it’s made for
But will the future wait for me?
Wrote our obituary
Back in late January
There’s just so much that’s scaring ...
The Lightyears’ slot at Glastonbury Festival 2007 has been confirmed as Friday 22 June @ 12pm midday on the Small World Stage.
Thursday 7 June, 6.30pm (BBC Studios, Caversham, Berkshire):
We only landed at Heathrow yesterday and we’re still pretty much on Korean time. Which means for us it’s about 2.30 in the morning. An ideal time to be recording a live session and interview for BBC Radio, then.
We are the featured band on Linda Serck’s show The Session on BBC Radio Berkshire. A couple of minutes before Linda presses the record button, she reminds us of the Radio Berkshire jingle that all featured bands are asked to write in preparation for appearing on The Session. An alarm-bell rings in my head. George and Tony turn ...
Saturday 2 June, 5pm (Grand Ballroom, Grand Hyatt Hotel, Seoul):
In a couple of hours, 500 esteemed guests are arriving at the Grand Ballroom for the annual Queen’s Birthday Ball. This afternoon the ballroom has been used for an alternative function, and the organisers now have just two hours to turn the place into Hogwarts (the theme this year is Harry Potter). It’s a bit like Challenge Anneka. I am looking round the enormous ballroom, wondering how on earth they’re going to do it. And then I see.
The Event Co-ordinator clicks his fingers and a vast army of identically-clad hotel workers pours into ...
Friday 1 June, 9am (Grand Hyatt Hotel, Seoul, South Korea):
We have been in Korea for a few days and by far the distinguishing feature of the tour so far has been BREAKFAST. The breakfasts at the Grand Hyatt are world-beating. People have killed for lesser breakfasts than this. Muffins, pancakes, fresh fruit, juices, joints of meat, waffles… sometimes I could weep at the beauty, I really could.
Incidentally, we are currently eating breakfast next to the Dutch National Football Team, who are playing a friendly against Korea tomorrow night and are all staying at the Hyatt. And, may I take this opportunity to ...
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